The Blackside - People Are Legends and other poems
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The Blackside - People Are Legends and other poems 〰️
EXCERPT
THE BLACKSIDE: People Are Legends and other poems
KEVIN GILBERT is a poet and author whose work bears witness to the truth of massacre and continuing genocide, which is practiced unashamedly, and with ever increasing venom, against his stubbornly surviving people.
These poems are the authentic echo of Aboriginal grass-roots vernacular - without apology, without politeness, without hypocrisy, for they were fashioned directly from personal experience and built upon captured sentences, singular words of anguish, love and pain and glorious pride, uttered with all the conviction and determination of a People set on liberation. The images reflect this resilience, which resists the evils of oppression and which ultimately enshrines in the speakers, who quest for justice, human rights and love, that essential essence of being that never dies, but remains immortal, legendary.
When England first established its convict settlement on Aboriginal land, the official dictum of the day was 'to instil in them a terror'. That terror is still aboard as witnessed today in Aboriginal deaths in custody; the shooting of David Gundy by police in Redfern; by the governments' refusal to supply clean drinking water, medical facilities, housing to rural and desert Blacks; by the political coercion used to force over eight thousand Aboriginal people to perform forced labor to 'earn' their Social Service payments. In fact, it is a forced labor that white worker unions and the A.C.T.U. would not tolerate, for a moment, if it was enforced on any one Asian, ethnic or white Australian.
Cover photography by Kevin Gilbert and cover design by Eleanor Williams
Photography by Kevin Gilbert and Eleanor Williams
First published by Hyland House in 1990
ISBN 0 9588019
Black Woman
Black woman
black grandmother
why do you frown
in this golden sunshine
your skin warm velvet brown
somehow causes pain
your children cry again
not welcome on their doorstep
not wanted in the town
Black Woman
black mother
when you walk down the street
everybody notices
but no one dares to greet
your face is very different
from the face on our TV
no one looks into your eyes
for fear that they may see
Black woman
black children
black mother
and see a mother's scorn
for those who cannot love the land
the mother
the first born.
© Kevin Gilbert
Introduction
Poems seldom need an introduction. Generally they crystallise the imagery and emotion in a web of sensual nuances linking a common human universality. However, when there is a cultural, social, political differing, there arises a need to know the context in which the poems are birthed to give their rawness, their strength. Unlike European poets or white Australian poets, Aboriginal poets sing not of pastoral lays, not of cavorting clouds, fallow deer, new-mown hay, but of blood and tears and pain, of children dying in their tender years while doctors, nurses (white of course) look on, or turn the mothers away, back to a lifetime of victimisation and onslaught by a whole nation of racists.
The Blackside and other poems can be described as verbal portraits of victims, of patriots, of liberationists shouting their injury, their anger, their determination into the winds of time, knowing, glowing in the knowledge that time is on their side. Each poem had as its starting point, its inspiration, the actual comment or the condition of a speaker; each poem had its beginning from a member of the Aboriginal people and these poems are a testimony to time, a people's fortitude and determination to endure and let the story of that endurance live on through their children.
White Australia was colonised by the British. 'Discovered' in 1770 by Captain James Cook who, unable to foist trinkets upon Aboriginal People and claim the acceptance thereof as 'payment' or 'agreement', unable to solicit a welcome, declared the land 'terra nullius' (wasteland, unoccupied). The 'kindly' Governor Phillip, in 1788, establishing the first convict colony, was requested by British authority to converse with and 'seek the affections of the natives'. The end result was Phillip's direction to Tench, his lieutenant, to 'instil in them a terror'. He ordered the lieutenant to take forty Aboriginal heads and hang them on spikes around the settlement area.
Aboriginals were shot and poisoned. Our numbers were decimated by slaughter, strychnine and introduced diseases, until ultimately we were forced at gunpoint and in chains into areas now called 'Aboriginal reserves' and 'missions'. In fact, they are refugee camps, concentration camps where, two hundred years later, most of us live today.
Australia is the only former British colony NOT to have entered into a land rights treaty with its Indigenous people. It is clear to see that white Australia's 'sovereignty' was established upon a lie of terra nullius, by racial murder and land theft. In 1988, while Australia 'celebrated' its two hundred years of occupation of these our lands, the United nations publicly, internationally, indicted Australia for violations of human rights against Blacks in this country. White Australia has now been condemned as a fellow violator, a fellow traveller with white South Africa.
Yes, we have been denied our human rights for two hundred years. Two hundred years of resisting the hatred, the tyranny, the violation of our human rights, land theft, murder. Most of our people live well below the poverty level, denied even the most basic elements of life such as clean drinking water, adequate food, medicine, shelter. In short, denied the basic requirements for life that are commonly available for the whiteman's herd of cattle. As we go into the third century of violation of human rights, we seek a Sovereign Treaty recognising our prior possession of this land, our right to life, our right to recognition as a People, our right to be protected under international covenants governing a treaty and the human rights conventions.
Maybe these poems will show you a truer picture of our position and maybe they will link our humanity with yours.
© Kevin Gilbert
To Jacob Oberdoo: His refusing to Acceot the British Empire Medal
Your country has no ‘standing’
Shove your sacred medal, see
You’ll not hang your tarnished ribbons
On a patriot like me
Your country has no honour
There’s no substance in your word
The empty mockery of your voice
Is all we’ve ever heard
For you are land thieves, racists
You have slaughtered my Koori
Touch my forelock to you? Never!
Join your ‘good society’?
Never, never, never, never
While my arse points to the ground
Shall I wear your shameful ribbon
Nor in your company be found!
© Kevin Gilbert
The ‘Better Blacks’
Watch for the traitors
Dressed in black
Watch for those jackies
Up you Jack!
Watch for the puppet
Watch for the brute
Living like a whitemen
Grey serge suit
Five dollar tie
And black dress shoes
Watch for them brother
They’re REAL bad news
Watch for the ‘Tom’
With a good career
You know he got it lickin’
Up that passage dear
Of a white string-puller
And the racist hack
Watch him, oh my brother
Watch the career black.
Watch him watch him brother
Traitors through the age
Acted as black trackers
And they blot the page
Of our history struggle
And our fights for rights
They blot it with their smooth tongues
Lickin’ up to the whites.
Lickin’ smilin’ lyin’
Suckin’ up tot the whites…
While the kids are cryin’
Dyin’ day and night
And their land’s being stolen
By the fat cat white
Watch the traitors with them
Helping them to rob
‘Tommin’ for his pay now
‘Tommin’ for his job.
Watch him watch him brothers
Watch his sleek black hide
Selling out our people
While our people die.
© Kevin Gilbert